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・ Ziauddin Rizvi
・ Ziauddin Sardar
・ Ziaabad, Shazand
・ Ziabar
・ Ziabar (Gaskar)
・ Ziabar Rural District
・ Ziad
・ Ziad Abderrazzak Mohammad Aswad
・ Ziad Aboultaif
・ Ziad Abu Amr
・ Ziad Abu Ein
・ Ziad Abuzayyad
・ Ziad al-Hariri
・ Ziad al-Khasawneh
・ Ziad Al-Samad
Ziad Antar
・ Ziad Asali
・ Ziad Bahaa-Eldin
・ Ziad Bakri
・ Ziad Bashir
・ Ziad Boutros
・ Ziad Doueiri
・ Ziad el-Doulatli
・ Ziad Fahd
・ Ziad Fazah
・ Ziad Hamzeh
・ Ziad Jarrah
・ Ziad Jaziri
・ Ziad K. Abdelnour
・ Ziad Khalaf Raja al-Karbouly


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Ziad Antar : ウィキペディア英語版
Ziad Antar
Ziad Antar (born 1978 in Saida, Lebanon) is a Lebanese filmmaker and photographer. He studied Agricultural Engineering at the American University of Beirut before turning to video and arts with a residency at the Palais de Tokyo in Paris and a post-diploma of the École nationale supérieure des Beaux-Arts, Paris,〔

==Life and Work==
Ziad Antar’s short films evoke a world in conflict through a playful tone. In the Aftermath of the 2006 Lebanon War, Ziad Antar produced a short film entitled ''La Marche Turque''. The image shows the hands of a pianist playing Mozart’s partition, while the sound is hammered, reminding the one of bombings.〔
〕 In 2002, Antar had directed a documentary film devoted to his mentor, the photographer Jean-Luc Moulène.〔

In 2000, he acquired a 1948 Kodak Reflex and 10 rolls of black-and-white film that had expired in 1976. He began using this outdated material, producing a blurred and almost abstract effect on his photographs.〔
〕 One of the photographs depict Walid Jumblatt and supposedly evokes the danger the Lebanese Druze leader faces after having criticized Hezbollah and the Syrian government.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Ziad Antar」の詳細全文を読む



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